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Poetry Corner

What happens when a brave writer of verse submits his or her poetic efforts to an unknown writer of music to do with as he pleases? Well, it just so happens that below are some tunes I have written using lyrics submitted to me over the internet by such brave souls. For awhile, I was making an aggressive effort to solicit lyrics for these efforts, but as of late the number of submissions has been what one might call disappointing. Or, one might say that I haven't received any for months. In any case, I certainly encourage you to enjoy the tunes below.

On the other hand, if you are inclined to participate in some collaborative songwriting, please send your poetry or prose with all due haste, and I shall deploy it in a zippy 60-second musical excursion with equally due haste. Finished examples will be posted on this page, and you will receive a special CD with your song along with more of my musical musings. Plus you will own all the rights to the song and text! Additionally, I will thank you and pay compliments.

Vaguely legal mumbo jumbo

SEND US YOUR TITILLATING TEXT
We fear no lyric


Thoughts on "How Haiku Works" -   February 13, 2003

A splendidly self-referential work by Kai Esbensen, very dog-chasing-its-own-tail, Escher-woodcuttish if viewed in the right light and held at the correct angle. I included as many apropos metric jokes as I could, which is really not very many, considering the wealth of the source material. I think that if you try to dance to the out-solo, you will probably throw your back out. But if you try, please make a videotape and send it to us.

Thanks again to Kai for submitting such a metrically masterful text.

In Windows Media Format:  How Haiku Works


Thoughts on "The Role of the Bagel" - May 1, 2002

This was another offering from Notallwhowander of the ProgEars forum. In my mind, I imagine a scene in which the camera is going down some New York street where steam is coming out of the manholes and guys are just hanging out on the walks and sitting on the stoop - it's gotta have a real '70s Superfly sort of look about it; imagine everyone in leisure suit jackets and corduroy bellbottoms - and one of them just turns around and starts delivering this monologue to the camera. I was trying to cop sort of a Quinn Martin vibe. Again, an enthusiastic salute to notall for supplying me with engaging source material.

In Windows Media Format:  The Role of the Bagel


Thoughts on "I Hate Haiku Haiku Song" - October 13, 2001

This selection headed toward a more contemplative sort of setting, and the resulting piano and voice piece is really not from the rock and roll portion of my vocabulary at all.  Harmonically, the song starts out very sparse and fills out as the lyric - uh, - gains resolve.

Fortunately for us all, Webmaster Reagan noticed the fact that I had totally garbled the original haiku, so I had to record the vocals twice before they conformed to the actual lyric.  I think that's two in a row.  (Rolls eyes)  Many thanks and a zesty tip of the hat to Earthworksman from the Progressive Ears internet club for his cogent lyric contribution!

In Windows Media Format:  I Hate Haiku Haiku Song


Thoughts on "Kirchenrahmen" - August 23, 2001

Since the lyric was submitted by a member of a progressive rock internet club, I decided that a mini-epic, a suite if you will, would lend the appropriate flavor to the text.  I toyed with the notion of naming the minuscule instrumental breaks between sections, the first being "The Revelation of the Starchy Strands" and the second being "The Other Dance of the Starchy Strands".  I really should have, in the respect that it would amuse me greatly to have written a minute-long song with five titled parts.  Oh, what the heck.   Let's make it five parts.

Since no one else was available, I sang and played the guitar as well, which I normally don't do.  I totally screwed up and sang the word "glittering" instead of "glistening", even though it's in the title of the segment.  My apologies to Notallwhowander, especially if that was integral to your concept of the verse.

Other than gag value of its pronunciation, the title of the tune is a nonsense word which would mean, in German, "Church-frame".

Kirchenrahmen
a) The Glittering Orient  (formerly the Glistening Orient, with apologies to the author)
b) The Revelation of the Starchy Strands
c) The Dance of the Starchy Strands
d) The Other Dance of the Starchy Strands
e) Total Broth Retain

In Windows Media Format:  Kirchenrahmen

 

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